{"id":109,"date":"2024-03-10T19:47:00","date_gmt":"2024-03-10T11:47:00","guid":{"rendered":"http:\/\/198.144.183.115:206\/?p=109"},"modified":"2025-05-13T17:07:18","modified_gmt":"2025-05-13T09:07:18","slug":"playing-both-a-lesbian-and-a-villain-again-is-she-set-to-win-another-award-this-year","status":"publish","type":"post","link":"https:\/\/televisionnews.live\/index.php\/2024\/03\/10\/playing-both-a-lesbian-and-a-villain-again-is-she-set-to-win-another-award-this-year\/","title":{"rendered":"Playing Both a Lesbian and a Villain Again, Is “She” Set to Win Another Award This Year?"},"content":{"rendered":"\n

“T\u00e1r,” is this year’s Oscar-contending blockbuster starring Cate Blanchett, who also won Best Actress at the 79th Venice Film Festival for her outstanding performance.<\/p>\n\n\n\n

However, amidst the anticipation, one can’t help but wonder, who exactly is T\u00e1r?<\/p>\n\n\n\n

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Moreover, she has achieved EGOT status by winning Grammy Awards (Grammy), Academy Awards (Oscar), Tony Awards (Tony), and Emmy Awards (Emmy), making her famous beyond just classical music circles. This multifaceted talent allows her to effortlessly take on multiple roles: besides being a conductor, she\u2019s also a teacher, writer, composer, philanthropist\u2014all star-level titles due to her legion of fans enamored with her talent. However, despite these striking similarities in basic information, Lydia T\u00e1r from the movie is entirely fictional. In reality\u2014within the film\u2014her name is Linda Tarr; Bernstein truly was her mentor; and she indeed became Berlin Philharmonic Orchestra\u2019s first female conductor. Some true anecdotes about Linda Tarr are included in the film\u2014like conducting at Obama’s second inauguration ceremony\u2014and in 2019 many were puzzled by T\u00e1r\u2019s preference for “Once Upon a Time in Hollywood” over “Portrait of a Lady on Fire.”<\/p>\n\n\n\n

Since movie character \u201cT\u00e1r\u201d diverges significantly from any real-life counterpart and remains purely fictionalized\u2014we can step back from critical lenses to explore its symbolic significance.<\/p>\n\n\n\n

In truth\u2014actions taken by T\u00e1r within academia\/artistic realms aren\u2019t rare occurrences; highly esteemed figures often escape repercussions for personal moral failings within their industries\/circles. Even recently\u2014scandals broke about predators within art examination institutions sexually assaulting\/seducing female examinees.<\/p>\n\n\n\n

From onset\u2014T\u00e1r commands an unassailable presence during interviews attributing musical successes solely unto herself while distancing from identity politics bypassing gender\/sexuality discussions altogether yet remains inherently confident albeit subtly evasive\/floating at peak career moments.<\/p>\n\n\n\n

Unified under \u201cart\u2019s supremacy\u201d\u2014her baton channels legacy wealth built by white male predecessors; male peers covet status\/creativity while benefiting from associative gains thus flattering gestures liberate marginalization constraints imposed previously upon lesbian identity confines freeing new existential questions: Who becomes post-discrimination\/exclusion liberation?<\/p>\n\n\n\n

During Juilliard guest lecture\u2014a young student rejects Bach outright prompting immediate public humiliation via self-righteous critique encapsulated into racially-tinged footage ultimately pivotal incriminating evidence dismantling career trajectory yet scene doesn\u2019t wholly depict disgrace rather directorial probe into artistic essence queries instead.<\/p>\n\n\n\n

Furthermore\u2014a perpetually collapsing young female musician seeks connection repeatedly rebuffed coldly by indifferent T\u00e1r.<\/p>\n","protected":false},"excerpt":{"rendered":"

“T\u00e1r,” is this year’s Oscar-contending blockbuster starring Cate Blanchett, who also won Best Actress at…<\/p>\n","protected":false},"author":1,"featured_media":110,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,2,1],"tags":[],"class_list":["post-109","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-criticism","category-movie","category-tv-shows"],"_links":{"self":[{"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/posts\/109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/comments?post=109"}],"version-history":[{"count":1,"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/posts\/109\/revisions"}],"predecessor-version":[{"id":111,"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/posts\/109\/revisions\/111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/media\/110"}],"wp:attachment":[{"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/media?parent=109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/categories?post=109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/televisionnews.live\/index.php\/wp-json\/wp\/v2\/tags?post=109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}